1
One supervised workflow
Story, identity, production, review, delivery. Not five tools and five vendors. One path, end to end.
Marquee
Script to trailer. One workflow.
For film and show teams who need a finished cut, not a deck. Marquee carries a script through story, identity, production, review, and delivery without losing the director's hand.
2
The director stays in the loop
Every stage opens for a quick approval. Marquee proposes, the human decides. The cut you ship is the cut you approved.
3
Cinema grade, not slideshow grade
Character anchors, world textures, dialogue beats. Marquee carries the visual rules through every clip so the trailer reads like a film, not a moodboard.
Why teams pick Marquee
Trailer production is still a six-month relay race.
A film wraps. The marketing team writes a brief. A creative agency pitches three angles. The studio picks one. An editor cuts a first pass. The director asks for changes. The colorist gets it. The sound team finishes the mix. Every handoff is a meeting. Every meeting is a week.
Marquee replaces the relay with a single workflow. The director still holds the pen. The cuts still pass the same review gates. The trailer just gets done in days instead of months.
Live demoRecorded Truth, end to endBuilt for the teams that put the film on the marquee.
- Studios and producersGet a director-approved trailer in days. Free the agency budget for the campaign, not the cut.
- OTT and streamersShip a launch cut and three social cuts in lockstep. Same release date, same quality bar.
- Directors and editorsKeep the hand. Marquee proposes, you decide, every stage of the way.
See Marquee on a real film.
Recorded Truth, a Hindi thriller. From brief to delivery in one supervised pass.